May 11 2013

Another Criterion pick: The Bicycle Thief is realistic desperation

maureen

May 8 SPOILERS

The Bicycle Thief, directed by Vittorio de Sica, was filmed on the streets of Italy in 1948 using mostly non-actors and Roman street settings. Considered a classic of “neorealism” the film is a social commentary on the effects of poverty and defeat. The economy has tanked, and the nation is recovering from Mussolini and from being on the losing end of World War II. De Sica points an unwavering lens on the reality of soup lines, unemployment, tight apartments in decaying neighborhoods, stressed, reactive sniping and scrambling for position. Everywhere there is evidence of a fraying, hungry culture. Continue reading


Jan 26 2013

Beasts of the Southern Wild, poverty and preservation

maureen


I have been thinking about Beasts of the Southern Wild for two or three weeks, trying to decide how I feel about it.The accents carried flashes from my childhood in Louisiana, something was vaguely familiar in the fierce independence of the characters. But, like foggy childhood memories, the images in Beasts is full of non-sequiturs and child-like wondering. I have more questions than answers about the community it portrays and the perspective on poverty it presents.

Telling the story from 6-year-old Hushpuppy’s point of view and using the aurochs created a surreal fantasy in a brutally realistic setting. The aurochs are both a metaphor for the extinction of Hushpuppy’s community, the storm, her father’s illness and her fight for survival and yet they appear as real, threatening beasts pounding toward Hushpuppy’s fragile home. Continue reading