Aug 9 2010

Sex, Lies, and Don Draper in Mad Men


He presents a slick, appealing image but Don Draper is a man on the run. He’s escaping his past by taking on a new identity. His carefully constructed persona earns him admiration in the first seasons. At work he is known for his creativity, good looks, and integrity.

Advertising presents an idealized image of a life that can only be attained by purchasing the product being sold. Advertising creates discontent with real life. It plays on envy and pride to create a desire to mold a life that matches the image presented in the ad, and to purchase whatever products necessary to prop up that image. Mad Men’s creator Matthew Weiner chose advertising as a subject, he said, because “it’s a great way to talk about the image we have of ourselves, versus who we really are.”

Don Draper is the personification of a man who is reaching for the image. He doesn’t think he can attain it as himself, Richard Whitman, so he becomes someone else. For awhile he succeeds in selling himself as the person he wants people to believe that he is. Even after his charade is discovered by a few people he manages to dodge consequences. He’s tried to compartmentalize his life, presenting himself as a successful, creative advertising executive and charming family man while feeding his alienation with lies, sex, and alcohol. But he can’t maintain the persona 24/7. While the excessive drinking is accepted cultural behavior in 1960’s New York for Don it’s more than social. Don’s lost and hurting so he self-medicates with gluttony (alcohol) and lust.

Just as he does at the office, Don is carrying on a charade at home. He is the image of affluent, upper-middle class America in the sixties. But his relationship with his wife Betty is based on lies. He’s married her and given her a name that is not even his own. He cheats on her. He carries on the social pretenses of the lifestyle but he’s not really engaged. Don’s personal emotional space isn’t just wide, it’s a chasm. Even with Betty. Continue reading

Jul 31 2010

Transitions, Passages, Loss, and Growing Up in Toy Story 3


Toy Story 3 is funny and wise and heart-rending. The Toy Story series has grown up with its audience. Pre-schoolers who saw Toy Story in 1995 are now leaving home for college. Kids who saw Toy Story and Toy Story 2 when they were in elementary school are transitioning into jobs, marriages, parenthood and new homes. Relationships between the Toy Story generation and their parents, grand-parents, friends and mentors are in transition too.

The first Toy Story helped these little ones figure out how to welcome new siblings and share friends. Then Toy Story 2 showed them that personal worth is found in loving relationships rather than status. Foreshadowing Toy Story 3, Woody and Buzz have a conversation in Toy Story 2 about the possibility of Andy growing up and outgrowing his toys. They conclude that being loved and fulfilling their purpose as toys – to be there for Andy – is worth the uncertainty.

Jul 26 2010

Totems, Symbols, and Reconciliation in Inception



Spoiler Alert – Inception was an intellectually stimulating and engaging combination of sci-fi action movie, ensemble piece about corporate espionage, and an introspective drama about guilt, loss, and reconciliation. The premise of extracting and planting ideas in the subconscious through dreams and the idea of group dreaming was a fresh approach.

Inception seemed to invite the audience into it’s multi-layered dream and keep us there until the very end. Though the dreamers in the movie were the architects and very intentional in their dreams, watching Inception felt more like having a real dream.  It felt off kilter and sometimes confused and very in the moment.

Real dreams, the ones that come to us as we sleep, the ones we don’t control, allow us to unravel our mental, emotional, and spiritual knots. We need to dream in order to remain sane. Even though we don’t remember all of our dreams or understand the ones we do remember, our dreams allow us our sub-conscious minds to reorder and reinterpret our lives.  We don’t have to know what happens in our dreams in order for them to heal us.

Perhaps the movie, like a dream, is meant to be personal and individual. There are lots of ways to look at the ending. It felt a bit like waking up in the middle of a dream. We each will draw individual conclusions and interpretations in order to try to make sense of it. Like the dreamers in the movie, each member of the audience brings a collection of beliefs and ideas to interpreting Inception. Continue reading

Jul 16 2010

The Ultimate Reality – The Deadliest Catch Faces Phil Harris’ Death


More than any reality show I’ve seen, there is a sense that the captains and crews are living out their life stories in front of the camera, but they don’t seem to be doing it for the camera. Most of these fishermen are doing what they’ve done for years before camera crews set up on their boats. They do dangerous work in uncertain conditions. More than any other reality show, The Deadliest Catch feels like life rather than television.

Discovery Channel is currently running its tribute to Cornelia Marie’s captain Phil Harris, who died in February during filming. Most of the events leading to Phil’s stroke and subsequent death were documented on camera. The moments in the hospital between Phil and his sons may be some of the most personal, most universal moments I’ve seen on television. Death, like the massive ocean waves, makes us forget about cameras or entertainment. Death awes. Death is humbling, unpredictable, and unscripted.

Continue reading

Jun 26 2010

10 Virtues of Summer – Summer Vacation Movies I Love

Things change in the summer. Students graduate. Kids go to camp. Families take vacations together. We leave our routines and embark on new adventures, visit new places, and meet new people. We have time to step back and evaluate where we are and where we want to go in our lives. Summer has the potential to work change in all of us. Our time away is often the time we grow as individuals and a time our relationships with those around us deepen. Here, in no particular order,  are 10 of my favorite vacation movies and the virtues I think they reveal.

Stand by Me (1986) Gaining perspective. On the last weekend of summer 12-year-olds Gordie, Chris, Teddy and Vern set out the find the dead body that is supposed to be hidden by the railroad tracks. They are about to enter middle school and, due to academic differences, probably will be separated. Each is struggling with limitations and perceptions about himself.

The Sandlot (1993) Taking chances. Scotty Smalls is the new kid in a neighborhood which seems to be primarily concerned with baseball, not one of his interests or talents. Benny Rodriguez, the leader of the group, reaches out to him and teaches him the game. Scotty takes a chance on Benny and baseball and allows himself to become part of the group. Continue reading

May 15 2010

O Sleeper On The Epic Battle Between Good and Evil


My son told me that O Sleeper’s Vices like Vipers reminds him of my Sinema7 book, so I took a look at the band. I’m not really in the hardcore/metalcore demographic and I definitely had to read the lyrics because I’m not used to screamed lyrics. Honestly, the depth of emotion and gut wrenching delivery reminded me a lot of opera. It has an epic feel. Much of their music is about the battle between God and Satan or good and evil. I found myself reflecting on the epic nature of Christianity.

O Sleeper’s most recent album is based on the culminating battle between God and Satan described in the Book of Revelation. In the title song, Son of the Morning, Satan spews out his hatred for God and contempt for Christ, calling him the “weak forgiver” and telling God “you’re wasting power on grace.” God replies “If you could see like me you’d see you haven’t won anything.” There is a back and forth between screamed and clean lyrics, cacophony and melody that represent the conversation between Satan and God. Throughout the album Satan declares his intention to thwart the work of Christ, to assault those God loves and to amass power by turning them away from God. God’s power and defeat of Satan culminates in The Finisher with God’s graphic promise to Satan that he will “cut off your horns.”

The songs between these bookends describe Satan’s attempts to win the hearts and souls of men and man’s battle with temptation. In the third song, In All Honesty, Satan crows “I’m forever stalking the streets for the next one. I’ve found I can run faster than guilt…” The anguished cry of a man in Satan’s grip “I wish I could be so much more than me” and God’s response, “you could be the one who pleases me…because I can reach through anything.” The intensity of the music matches the intensity of the ideas expressed. It’s sort of hard to imagine “Bring out your dead” in Commissioned by Kings sung to Contemporary Christian instrumentation and American Idol-ish vocal stylings. Continue reading

Apr 22 2010

On Earth Day, Disaster Movies Remind Us That Nature is Bigger Than We Are


Its Earth Day so I thought it might be fun to celebrate movies in which the earth dominates. So far this month we’ve experienced a couple of earthquakes, a volcano, and a meteor. Not very friendly, Mother Earth. Disaster movies usually involves hysterics, heroics, loved ones in danger, someone bucking the system, the official who won’t believe it’s happening, and at least half of an all-star cast dying one by one. Usually some high profile American icon is destroyed. I can’t even count how many times I’ve seen the Statue of Liberty and the White House pillaged by the forces of nature. If the special effects are good that’s a plus, but in the older disaster flicks bad special effects just adds to the cheesy charm.

I only included movies on this list in which nature is the true aggressor. I love zombies, giant mutant creatures, genetically engineered mayhem, dystopias, alien invasions, etc. but that’s fodder for another list. I also left off those movies in which the natural disaster is linked to environmental irresponsibility on the part of mankind. Though many disaster movies try to give mankind some credit for causing the disaster, the focus of this list is the power of nature. This isn’t a preferential ranking. The first 3 movies deal with geological disasters, the next 2 deal with meteors, then the rest are weather-related disasters.

1. Volcano was basically Tommy Lee Jones vs. lava. This movie had everything a disaster movie should have: clever repartee, the smart scientist who sees it coming, selfless acts of courage, familiar icons exploding, L.A. in shambles, and prejudice almost eradicated by the need to pull together and survive. Without this movie our family might never have found the LeBrea tar pits on our last visit to L.A. Someone remembered the line “They down on Wilshire!” and we found them with ease. Continue reading

Apr 15 2010

10 Comparisons Between Lost and Quantum Theory


1. Anyone who is not shocked by quantum theory has not understood it. – Niels Bohr

I am approaching this with shockingly little understanding after reading many “for idiots” articles on quantum physics. Please feel free to add to or correct anything I’ve said, and please, post your own theories.

In the Lost universe this means that we are supposed to be confused. Even the scientists who study this stuff are trying to wrap their heads around it.

2. Energy is quantized in the form of small packets. If something is quantum it means, that instead of being continuous, it can only exist in multiples of certain values. Electromagnetic energy does not follow classical mathematical equation in which energy increases on a steady continuum but instead can only be emitted in discrete packets of energy proportional to the frequency. Additionally, quantum objects do not exist as independent entities because they are in an interactive relationship with each other. For example, electromagnetic forces can also be forces of repulsion.

In the Lost universe could this explain why everybody has to move on and off the island together? Continue reading

Apr 9 2010

The Catholic Church, Priests, Pride, and Sexual Abuse in Doubt


I’m reposting my reflections on Doubt. It came to mind because of the current Penn State situation. In Doubt there is no eyewitness, only suspicion. Powerful men at Penn State – Joe Paterno, Tim Curley, Gary Schultz and Graham Spanier, are all told by a graduate assistant, an eyewitness, that he’d seen Sandusky naked in the showers molesting a young boy. They tell the graduate assistant they’ve taken away Sandusky’s keys and reported the incident to The Second Mile, a youth charity Sandusky founded in 1977. Apparently he was caught before in 1998 and questioned by police but the district attorney did not file charges. The frightening reality is that, like Sr. James in Doubt, there is a tendency to deflect suspicion and even ignore facts, “so you can have simplicity back.”



CONTAINS SPOILERS. Is Father Flynn a child molester? Young Sr. (Sister) James, played by Amy Adams, sees some indications that the progressive young priest may have an inappropriate relationship with one of her students, an altar boy, but is reluctant to believe it. Sr. Aloysius, an austere older nun not only believes it, she seems to want to believe it.

The Catholic Church’s most recent controversy involving alleged child molestation by priests reminded me of Doubt, the 2008 movie that starred Meryl Streep, Amy Adams, and Philip Seymour Hoffman. Set in the Bronx in the 1964, Doubt centers around the question of Father Flynn’s guilt or innocence. It also probes into how far “the benefit of the doubt” should extend, and gets into the motives behind willingness to believe or disbelieve.

When Sr. James brings her concerns to her superior Sr. Aloysius pursues the matter. She calls Father Flynn’s former parish where the priests vouch for him, but another nun also has suspicions. We never hear definite proof of guilt but we also are presented with doubt about his innocence. Like many religious people of her generation, Sr. Aloysius sees it as her calling as to ferret out and punish wrongdoing. She is willing to be severe, to be disliked, and to confront anyone she believes is doing anything remotely “wrong.” Her judgmental attitude leaves no room in her life for compassion or doubt. She relies on certainty to justify herself. Continue reading

Apr 2 2010

Jesus of Montreal takes on Hubris and Pride in the Church and the Media


It may not be a typical inspirational Easter movie, but Jesus of Montreal is a relevant, devastating, contemporary take on the real power of Christ. Hollywood Jesus recently posted a list of their top 20 stirring Easter flicks with this 1990 Academy Award nominated film as their #3 pick.

SPOILER ALERT. In Jesus of Montreal the life of the actor who takes the role of Christ begins to strangely parallel Jesus’ life. A group of actors led by Daniel Colombe are hired to “freshen up” a passion play but they make changes that are unacceptable to the Church. The religious establishment in the form of the Catholic Church plays the part of the Pharisees. The media, like Rome, evaluates everything by how much money it will make and how much influence it will generate. In this movie the media industry is portrayed as yielding more even power than the church. These people enjoy their power to influence and exploit others. Continue reading

Mar 31 2010

Season 6 Part 2 – Fate, Science, and Charles Widmore’s Hubris in Lost


(Other Sinema7 blog posts about Lost are available at

Charles Widmore is a key player in Lost. He’s powerful and he’s desperate. His methods are ruthless. There are more questions than answers about him right now. Today’s episode revealed that he’s opposing Smokey. He doesn’t seem to be on Jacob’s side but we know he’s not on Smokey’s either.

If Jacob represents the supernatural and advocates choices, I think Charles  falls into the area of reason and, like Smokey,  fate. Charles looks for causes and for factors he can control and tries to capitalize on those. Both agree that Smokey is evil but employ different methods in fighting him.

This chronology of events reveals Charles as ruthless, uncompromising, deceitful, and controlling. His hubris and arrogance seems to extend into the lives of everyone involved. He seems to feel that reaching into other’s lives, even killing some people, is justified in order to accomplish his objective. If all hell is about to unleashed, if human life is about to be extinguished, does what’s at stake justify his methods? Continue reading

Mar 15 2010

Peter Graves and Other Stars Show Humility and the Value of Parody in Airplane!


Airplane! is one of my favorite movies and today I’m fondly remembering Peter Graves as Captain Oveur. #10 on the American Film Institute’s 100 Funniest Movies, it’s one of the best parodies of all time. Airplane! pokes fun at disaster films, a genre that takes itself entirely too seriously, especially before the 1980s. David and Jerry Zucker and Jim Abraham purchased the rights to 1957’s spoof-worthy Zero Hour! They also parody 1970’s disaster movies including Airport and Airport 75.

In 1598 poet Ben Jonson coined the word, “A Parodie, to make it absurder than it was.” The point is that there is something already absurd in the original. The willingness of the cast of Airplane! to recognize their own absurdities made the brilliant casting possible. Though chock full of hilarious one-liners, well delivered physical humor, and social references, (that you may need to study the decade of the 1970’s to get) much of the humor hinges on straight men delivering their lines straight. This could never have occurred had these actors not been willing to put pride aside and make fun of themselves. They really aren’t telling the joke, they are becoming the joke. Continue reading

Mar 6 2010

Comparison and Contrast Between A Serious Man and The Book of Job Plus Schrodinger’s Paradox Just for Fun


A Serious Man poses some questions of Biblical proportion: What does God want from me? Are the bad things that happen some sort of a sign? Am I righteous? What have I done to deserve this agony?

Larry, a physics professor who teaches the theory of uncertainty, begins to live it. According to Schrödinger’s Cat Paradox, which appears among the physics equations on the board in Larry’s classroom, a cat is placed in a box with a flask which may or may not break and emit radioactive poison. According to quantum physics as long as we don’t check to see what happened to the cat there is a superposition of states in which the cat exists in every possible state simultaneously. In other words, until you open the box and look the cat is both alive and dead – a quantum system that is a mixture of states.

The simultaneous car accidents in which one man lives and one man dies sort of echo this theme of alive and dead, as does the story of the Dybbuk at the beginning of the film. The two scenes in the synagogue juxtapose a funeral followed by a bar mitzvah. Larry does seem a bit like the cat in the box being acted upon rather than acting, uncertain whether he is spiritually dead or alive. Larry has no context for answers, only questions, confusion, and pain. Continue reading

Feb 1 2010

Lost TV Characters and the Seven Deadly Sins—Will Season 6 Change How We See Them?


(Other Sinema7 blog posts about Lost are available at

Lost starts Tuesday. Hopefully some of the questions that have built up over the last five years will be resolved. I recently came across this article from 2008: Get Lost in the Seven Deadly Sins by Amelie Rosseau, on the Lost Media fan site.

And here is a YouTube video called The Seven Deadly Sins of Lost:

I agreed with many of the assessments in these. I think each of the characters, like most of us, have more than one sin that motivates his or her choices. Here is my take on which characters seem to be driven by which sins:

Pride – Benjamin Linus &  Charles Whitmore are in a power struggle for the island. Pride is probably the besetting sin of leadership and power. When someone thinks they know what’s best for other people and is willing to lie, manipulate, and maybe even kill to further his own agenda that’s driven by pride. Jack is prideful, but not even close to being in Ben and Charles’ league. After years of feeling rejected and victimized Locke’s ego has to be stroked by feeling special and chosen. Juliet is just a bit sanctimonious about being right, and she’s pretty sure that she’s right on just about everything. It is ultimately Eko’s pride that drives his unwillingness to repent of his sins which apparently leads to death by smoke monster.

Envy – Jin’s insecurity pushes him toward envy. Charlie struggles with the same sort of thing. He’s jealous for Claire’s attention. He’s trying so hard to restore his image and wants so desperately to be a hero that he tags along with those that might be considered leaders hoping to be identified with them. Continue reading

Jan 19 2010

Characters, Symbolism, and Sin in The Book of Eli


Spoiler alert – Eli is ready to kill and ready to die to protect the book he believes he’s been charged by God to carry west. In this apocalyptic world Eli’s Bible might the last one known to exist. Apparently the Bible played some part in a war that resulted in nuclear holocaust thirty years earlier, which led to an attempt to destroy all known copies.

Eli doesn’t know what he expects to find when he gets there, he just knows that his part is to carry to book. He brings it out and reads it every night, but otherwise keeps it hidden from sight. The care and reverence with which he treats the Bible as he carries it reminds me of the Biblical accounts of the Israelites transporting the Ark of the Covenant.

The Book of Eli made me think about the power of the Bible and how it is used. It also left me with some questions about Eli, his mission, and the characters he encountered along the way. Perhaps I’m completely off, but the names of the characters seemed to carry some significance for me.

A glimpse into Eli’s pack reveals a K-mart employee name-tag with the name “Eli.” Like Noah, David, or one of the Apostles, Eli is an ordinary guy who God seems to have called to do something extraordinary. On one hand Eli believes he is divinely appointed, divinely led, and divinely protected. On the other he’s a sort of Samurai / western hero with mad self-defense skills. I sort of wondered whether Eli’s skills are divinely inspired or whether he’s developed his unique abilities to sense danger due to years on the road. Whatever the case it seemed to me that Eli is heavy on violence and may have failed to explore other communication options. Continue reading

Nov 4 2009

This Is It Michael Jackson’s Human Nature


Michael Jackson was an incredibly talented musician. With forty plus years of experience Michael really understood the concept of entertainment. This Is It is a glimpse into rehearsals for his upcoming show, mixed with clips of footage from music videos that were also being shot. He was acutely aware of every detail of music and movement in his show. He had a vision for how the whole thing should look and sound, and seemed to be involved in every aspect. He not only connected with his music and with his audience, but acted as a conduit that connected his music to his audience. It was impossible to walk away from a Michael Jackson performance without humming one of his tunes.

I’ve been playing Thriller a lot since he died. After watching This Is It, I came out humming Human Nature. “If they say, why, why? Tell ’em that is human nature Why, why does he do me that way? I like livin’ this way, I like lovin’ this way…” Just as he was gifted with music, Michael was also afflicted with the ravages of sin. Human Nature seems like his explanation for the various controversies that surrounded him: discord and violence within the Jackson family; the controversy concerning allegations of child sexual abuse; conjecture about multiple cosmetic surgeries; financial mismanagement (he earned $500 million dollars in his lifetime, yet his home Neverland Ranch was in foreclosure). Michael seemed to have struggled with human nature. Continue reading

Jul 24 2009

Tom Riddle: Boy Megalomaniac


In Harry Potter and the Sorcerer’s Stone Lord Voldemort, speaking through Quirrill, declares that “there is no good and evil, there is only power and those too weak to seek it.” As we meet the young Tom Riddle in the latest installment Harry Potter and the Half Blood Prince we see a child so caught up in his special power that he denies a moral order larger than himself. In an interview J.K. Rowling, writer of the Harry Potter books, compares Voldemort to paranoid megalomaniacs like Hitler and Stalin. Megalomaniacs exhibit an obsession with his or her importance and power that psychologists also call “delusions of grandeur”.

Tom Riddle reinvents himself as Lord Voldemort, relying on his hatred and pride to gather power. Whether the magic he employs is good or evil is immaterial to him. In fact he becomes convinced that he will amass greater power employing the Dark Arts. Pride motivates and enables evil. Voldemort, fueled by his evil pride, has complete disregard for the pain of others and may actually find his sense of power enhanced by inflicting pain. This is Voldemort’s M.O. As the young Tom Riddle pride shields him from revealing any vulnerability he may feel. Continue reading

Jul 10 2009

Apocalypto’s Black Hole of Pride


I finally got around to watching Apocalypto. Early in the movie a village elder tells a myth about man’s restless hunger for power and autonomy. His story concludes that “man has a hole inside him that will make him take and take until the world has no more to give.”

The Mayan city is a lurid demonstration of how this can play out in a society. Humans are sacrificed in a carnival-like atmosphere at a pyramid temple erected as a monument to the power and grandeur of their civilization.  Pompous Mayan royalty pile up more and more bodies in their attempt to appease an angry god and retain power over a people they care nothing about. Continue reading

Jun 25 2009

Frost/Nixon and the pride of insecurity


There is what we think of ourselves, there is what others think of us, and then there is what we think others think of us. Frost/Nixon reveals a man obsessed about what others think of him. In the interview with David Frost Richard Nixon describes the two of them as “scrambling our way up in undignified fashion.”
Nixon seems to suffer both from feelings of inferiority and from resentment toward those who may think of him as inferior. Even after serving a term as president of the United States Nixon feels that “the well born” look down on him. He feels the needs to prove himself and “make ’em choke on our continued success. Our continued headlines! Our continued awards! And power! And glory!” Continue reading

May 28 2009

The Themes of Pride and Wonder in Angels and Demons


Angels and Demons HD trailer

Had Angels and Demons been about a couple of likable characters running all over Rome trying to prevent the murder of some Cardinals it would have been enjoyable. It was a good mystery with some great action and nice plot twists. Two other elements fascinated me as well: the tension between science and religion and the “God Particle.”

The hubris of both religion and science were touched upon. In this corner we have the Catholic church with a history including the (fictional) public murder of the Illuminati for “a warning to others to stop questioning church ruling on scientific matters.” And in this corner we have the 21st century scientific community who push the envelope by creating a large amount of dangerous anti-matter in hopes of solving the energy crisis and, oh by the way, simulating the moment of creation. While much of the movie dwelt on the moral compromises of the church bent to suppressing science,  the Carmerlengo delivers a compelling soliloquy on the hubris of science and the motive of the church to protect faith. His insanity does not negate some of his points. Continue reading

May 4 2009

The Theme of Pride in Outbreak


Produced in 1995 the movie Outbreak is a timely diversion as the Swine Flu epidemic sweeps the nation (not). It’s sort of a conspiracy meets disaster flick in which the greatest fears of movie’s epidemiologists are realized when a deadly virus mutates and goes airborne. There is a squirmy scene in which someone sneezes in a movie theatre and we watch the infection float through the air into the mouth of another person. Soon an entire town is infected. The CDC and the military descend upon a town to assess the situation and try to eradicate the virus.

This movie shows how an event like a possible pandemic can become a political football. Decisions about how to handle the outbreak, what to tell the public, how to handle the media, and what the political repercussions might be all reveal the hubris of leadership. Before the virus spreads the Centers for Disease Control weighs the cost of a special alert. It comes down to whether it’s worth the money and the embarrassment of being wrong. Continue reading

Mar 13 2009

Amazement takes a little humility


Everything’s Amazing, Nobody’s Happy YouTube Link

Commedian Louis CK did some comedic commentary on Conan O’Brein’s show recently about amazement and what he calls a generation of spoiled idiots. He contends that people who fly, instead of complaining about delays and inconveniences, should recognize the amazing fact that “You’re sitting in a chair, in the sky…” and can arrive at a destination in six hours on a journey that once took months. Instead stories of flying usually include complaints about the wait and the inconvenience. Continue reading

Jan 15 2009

24 : Needs Redemption


Jack Bauer is back to prove, once again, that following the rules of bureaucracy is an ineffective method of saving the world. In the set up movie 24:Redemption Jack tries to reinvent himself teaching in a school in Africa. Jack quickly becomes involved in saving schoolchildren from genocide in fictional Sangala which sets up this season’s bad guy, the evil Juma. The movie ends with Jack sacrificing himself to save lives even though that choice leads to his capture and return to the U.S. to face a Senate subcommittee investigating the now defunct CTU.

Season 7 begins with Jack answering questions about his actions while a CTU agent:

Senator: “Mr. Bauer, did you torture Mr. Haddad?”

Jack: “Senator, Abraham Hadadd had targeted a bus carrying 45 people, 10 of which were children. I stopped that attack from happening. Don’t expect me to regret the decisions that I have made because sir, the truth is, I don’t.” Continue reading

Dec 23 2008

The Seven Deadly Sins at Christmas – Part Two


Anger – Grinchiness

Stupid happy people can be really annoying. It’s a time of year when some of us let down our guard. We open our wallets and donate money to causes we may have never heard of or buy our friends unnecessary (and sometimes ridiculous) gifts. We listen to music we’d never listen to any other time of year.  We abandon taste and decorate with of huge pieces of yard art and gaudy lights. We embrace hope and joy, perhaps only for a season, but we embrace it all the same. For whatever reason this sort of seasonal behavior makes some people angry.

These grinchy people refuse to abandon all hopelessness and enjoy the festivities. In How the Grinch Stole Christmas it’s not enough for the Grinch to ignore Christmas, he wants to spoil it for everyone else. The Grinch is an angry guy and his malice extends to the smallest Who down in Whoville. He finds the Whos’ joy offensive. He is convinced that it is a shallow joy that is centered around the “stuff” of Christmas. Continue reading

Oct 17 2008

The Theme of Pride in The Devil Wears Prada


Vanity is one of the most recognizable forms of pride. We want everyone to notice our possessions, our accomplishments, or our appearance. We may also believe that we are better than other people, at least in certain areas. We may become so arrogant that we actually believe that we are as knowledgeable, capable, beautiful and important as we want people to think that we are.

People who receive lots of admiration or hold lots of power can develop an inflated sense of their own importance. Miranda Priestly, the boss in The Devil Wears Prada determines what clothing and which models will appear in her very influential Runway magazine. She believes that she, and she alone, decides what people will buy and wear. She treats those around her with disdain, dismissing major designers with a purse of her lips, calling models “fat,” and treating her staff disrespectfully. Protagonist Andrea comes into the job because Miranda decides to take a chance and “hire the smart, fat girl.” She is called “fat” a number of times throughout the movie. Everyone in the movie has a fixation about weight, and dropping a dress size is the ultimate affirmation of self-worth. Andrea’s co-worker Emily declares that she’s “one stomach flu away from reaching my goal weight,” while size six Andrea is told by Nigel, the office designer, that size six is “the new fourteen.”   Continue reading