Mar 10 2014

The dark territory of True Detective

maureen

HBO-True-DetectiveCAUTION: SPOILERS.

True to form the last episode of True Detective called Form and Void features the dark and grisly conclusion to a bleak, dark series about two homicide detectives unraveling a ritual murder in South Louisiana. Errol, the incestuous, Cary-Grant obsessed witch king makes an utterly creepy grindhouse villain. Previous episodes offer up a series of tantalizing possible suspects and co-conspirators, including Cohle himself. The Tuttles come off as redneck Illuminati with a long reach and powerful resources. The story ends with many of these loose ends still flapping, but Cohle and Hart’s journey resolves, and that’s the real heart of the story.

True Detective‘s mysterious King in Yellow references a Robert Chambers story about a play that elicits madness and despair in those who see it. The story Cohle and Hart live as they work their case contains enough bizarre evil to induce similar responses. Cohle’s philosophic nature and nihilistic outlook make him particularly vulnerable to emotional and spiritual damage. Hart’s proclivities run to the more standard tropes TV cops use to cope. He cheats on his wife, drinks too much, and is disconnected from his children. Hart ends up in a place something like despair in which he’s lost his family and left his job after exposure to yet another urban legend horror, the baby in the microwave.

Cohle and Hart’s determination to close the case appears to be part-destiny and part obsession. In spite of a serious rift between them, when Cohle shows Hart the horror inducing videotape of one the victims, he’s in. This tape is used to induce former cop Steve Geraci. While immediate exposure to the tape loosens his tongue, Steve does not seem permanently traumatized by his experience, displaying the same self-interest after they finish with him that he has before. He tells them Sheriff Childress is the one who closed the case. Interviews in previous episodes suggest that Errol might be a Childress and possibly an illegitimate child of one of the Tuttles.

After making arrangements to unveil their evidence should they not come out alive, Cohle and Hart follow their leads to Errol’s house. Earlier the episode treats us to scenes of Errol’s Psycho-Louisiana-style domestic bliss. Cohle and Hart’s journey lead them into the heart of Carcosa where the evil is as thick as hot, humid swamp air. Continue reading


Mar 6 2014

Reflections on Monument Men and the preservation of the creative arts

maureen

Monument Men is about a group of art scholars who are trying to chase down caches of art taken by the Nazis before it is destroyed. Though I thought the film itself dragged a bit in places, it raised the compelling question whether preserving civilization’s art during a war was worth spending lives and using resources. The film’s answer was a resounding “yes.”

Statements at the end of the film outlined art and architecture that was lost, not only to Nazi pillaging, but to bombing by both Allies and Axis forces. It made me think of the loss of literature during the Middle Ages. Invasions and the resulting battles all over Europe, North Africa, and the Middle East resulted in destruction of literature. Goths and Franks, Huns and Muslims, Vikings and Normans, and Christian Crusaders all contributed to the destruction of classical and Biblical literature. On top of that, scribes themselves sometimes made a call of scrape off writings and reuse the paper since paper was scarce and everything had to be painstakingly copied by hand. As lives crumbled and cities burned some scholars, many of them monks, predominantly Irish, decided that preserving art and literature was worth the effort. Many important texts of Western culture survived to be studied by the likes of Washington and Jefferson. Reading Euclid influenced Lincoln’s phrasing in his Gettysburg Address. To a great extent centuries of scholars studied the same collection of literature known as the Western Canon.

American education over the last century formed a common cultural canon. A liberal education meant students were exposed to roughly the same set of pieces. With the ability to digitize, massive amounts of literature, arts, music is being preserved for the next generation. The question is whether the next generation will find it relevant and worth looking at it, much less sacrificing to save it. Through education and culture there does still seem to be a collection of literature, art, music, and film that provides a sort of post-modern canon, a collection of works experienced by most of us. With the variety of schooling options and subcultures, along with the trend toward personalization, over time, as a culture, we may have fewer and fewer pieces in common. I suspect each of us will form a personal canon based on individual values. Continue reading